First Nepali literary meet of Sikkim...

The growth in the awareness about the Nepali literature in India was undoubtedly pioneered by the Nepalese of Darjeeling. People of that expanse got enlightened about their language and literature due to their propinquity to the British. Sikkim was thence in a nap which was a sleep of illiteracy and unawareness. Very few of the Sikkimese were educated on the eve of the First World War and who belonged to the Super class and were not engrossed to make their subordinates aware about their literatures nor did they themselves had written anything. They were simply cramped in their revenue making practice. In such a state of affairs, to imagine a literary society was not less than a hallucination in the Sikkimese scenario. When Chandrika (A Nepali Newspaper edited and published by the jewel of Indian Nepali Literature lt. Paras Mani Pradhan) was widely circulated in the contiguous of Darjeeling, there were hardly a small amount of people in Sikkim who could write their names in their language. Though, the establishment of educational institutes was taken place in the first decade of the 20^th century, but they were unable to produce the literary minds with their out dated theological syllabus. It was only after the arrival of Lt. Rashmi Prasad Alley to Sikkim the system of imparting education in Nepali language was started. The vigorous attempts of Lt. Alley are unforgettable and would be considered the same by every Sikkimese ceaselessly.

The credit for the prologue of the Nepali language in the Sikkimese schools goes to the then Maharaja Tashi Namgyal who allowed to approve Nepali as a language for the idea of giving out education to his Nepali subjects. With the introduction of Nepali as a vernacular language in the educational institutes, Sikkim had contributed lots in the Nepali Literary world. Many radical and rational writers were born in Sikkim among them the writers of the APATAN literary society are of importance. The Apatan Sahitya Parishad is the pioneer literary association of Sikkim founded by four eminent Sikkimese Nepali poets namely Agam Singh Tamang, Padam Singh Subba, Tulshi Bahadur Chettri and Nima Wangdi Lepcha. They had a cry in their writings a legitimate cry against the crooked practices customary in the society like landlordism and its associated vices.

Under the inventiveness of the APATAN literary society, the first literary meet was organized at White Hall Gangtok on 18^th and 19^th of November 1952. The important literary figures who were present in that meet were Kavi Siromani Lekh Nath Poudyal, Lt. Rashmi Prasad Alley, Bal Krishna Sama, Padam Singh Subba Apatan, Tulshi Bahadur Chettri Apatan, Lt. Kashi Raj Pradhan and among them the figure of great importance was Mahakavi Lakshmi Prasad Devkota. The conclusion of the first literary meet had a far reaching impact in the Sikkimese literature in general and the Nepali literature in particular. The essential accomplishment of the meet was the publication of the first news based journal of Sikkim Kanchanjunga from 15^th of August 1957. The Newspaper was edited and published by Lt. Kashi Raj Pradhan which had played an imperative ingredient in heralding a new epoch of democracy in Sikkim. 

(In the picture tall man in suit is Rashmi Prasad Alley, left to him in black suit is Kavi Tulshi Bahadur Chettri Apatan, Right to Alley is Bal Krishna Sama, next to Sama tall man in Nepali attire is Padam Singh Subba Apatan, the last man on the row in a black coat is Kavi Siromani Lekh Nath Poudyal)
Muna Madan: A Play in the Jhyaure Folk Tradition

Mahakavi Laxmi Prasad Devkota at Gangtok.....

Lakshmi Prasad Devkota is regarded as the propounding father of romanticism in the Nepali literature. Devkota was deeply influenced by the writings of William Wordsworth, P.B. Shelley, Byron and John Keats. He is the pioneer of modernity or modernism in Nepali literature, especially in essays and poetry, and he is also regarded as 'Anshu Kavi'(spontaneous poet). He could write poems in a spontaneous manner and even while signing autographs for his fans, he used to write a poem before putting his signature. Devkota’s poetry depicts the romantic characteristics like humanism, metaphysical relationships, aesthetic values, past glories, praise of nature etc. Apart from romantic writings, he wrote some potent revolutionary poems possibly under the impact of P.B.Shelley.

The  masterpiece which renders him the loftiest position in Nepali Literature is his 'Muna-Madan'  in which he tried to depict the deplorable economic condition of Nepal in the most celebrated characters of two youths  Muna- a Nepali village girl and Madan- a Nepali peasant. The short epic can be compared to 'Romeo and Juliet' of William Shakespeare in the context of love and emotion 'Muna-Madan' is written in Jhyaurey prosody, the typical Nepali folk lore. This work of Devkota has been translated into several languages like German, French, English, Russian, Hindi, Japanese, Chinese etc. and it has gained same popularity as it gained in the Nepali literary world. 

The glorious Nepali poet had once visited the Demasong Valley. He was invited here by the APATAN Sahitya Parishad in November 1952. The Apatan Sahitya Parishad is the pioneer literary association of Sikkim founded by four eminent Sikkimese Nepali poets namely Agam Singh Tamang, Padam Singh Subba, Tulshi Bahadur Chettri and Nima Wangdi Lepcha. This Association has contributed a lot for the propagation of literary ideas among the Sikkimese society. He was felicitated at White Hall, Gangtok on November 15^th 1952, where Lt. Kashi Raj Pradhan made an introductory speech about Devkota and Padam Singh Subba read the Letter of Appreciation, which was presented to him. The then Sikkim Maharaja Tashi Namgyal roared in laughter when Devkota recited an English poem in Vedic prosody. His Majesty, the Maharaja of Sikkim Sir Tashi Namgyal was splendidly hailed by Mahakavi Lakshmi Prasad Devkota in a poem which reads like the following:

Hail! Glorious ruler of this mount in state, 

Sikkim, the paradise of peaceful peaceful hills,

This lively sweet abode of angels, great,

Great in thy name. Thy well known bounty fills

With plenty of thy kingdom. Stainless soul,

Deeply devoted to the God that thrills

Thy inmost depth, thou findest him all whole

Thy own angelic subjects in their wills

Amassed forever in love to their great good

Selflessly hast thou lived, the Buddha life

In thy keen veins where human love must brood 

And multiply, rich and intense to thrive

Thy teeming millions to whom a holy shire

Thou dost with sense of human sacrifice aye in spire.

(The tall man in a coat in the middle of the row is Lt. Rashmi Prasad Alley, to his right Mahakavi Lakshmi Prasad Devkota, Right to Devkota is Padam Singh Subba of  'Apatan' literary association of Sikkim, to the left side of Alley, is Bal Krishna Sama a legendary figure of Nepali Language. The picture was taken at the palace corridor Gangtok in November 1952)

Jeewan Theengh.... The National Poet of Sikkim..

Jeewan Theengh, popularly known as 'Maato Kavi' (Poet of the soil) is regarded as the national poet of the independent Sikkim and even after its merger with the soverignity of the Indian Union, the valour of Lt. Theengh is unprecedented. Born on the 19th December, 1955 at a small place named Namchi (presently the district head quarter of South Sikkim), Lt. Jeewan Theengh had a keen desire to look at his motherland as the abode of god and goddess. Blessed with affectionate parantage, his childhood and puberty got passed in and around Namchi where he had started his schooling. Born and brought up in a middle class sikkimese family, he was well nourished with ethical principles and moral values. He had graduated from St. Joseph's College Darjeeling and pursued his Masters in Political Science in North Bengal University. Lt. Jeewan Theengh did have an immense respect for his mother tongue, i.e, Nepali which ultimately steered him towards Nepali literature. He was so prolific in his writings that his  sentimental attachment towards his country and his race got perpetually reflected in his memorable creations. He was literally against the notion of Sikkimese merger into India which resultantly turned  him into  a poet of Revolutionary cadre. We can cite many examples to bring our point home, but the following excerpt best portrays the reason of the title Maato Kavi conferred upon him by his followers :

Timiheru Veer

Aaba Canvas ma desh ka Simana Lekhdai Jau

Timro Suvidha ley bhaye jati

Jaatah bhabhi Sima haru Kordai Jau

Jati sukai sima haru Badaundai laaijau.

( You all are paramount; now you can draw the border of your country on a canvas according to your convenience; keep on marking the fence lines and enhance your geographical sphere)

In the excerpt, we find Jeewan Theengh attacking the Indian Sovereignty in a mocking tone. This establishes the fact how sincerely the poet's sentiments were devoted towards his land. This kind of temperament is, no doubt, the culmination of patriotism.

But, alas!!!!

This pious son of Sikkim who highly felt the grandeur of his motherland was only a blessing for 23 years. This great soul succumbed to the afflictions of incurable disease and breathed his last on 5th July 1978. Though, the life span of this eminent poet was tiny, his works and marks on the society are invaluable. He not only advocated the cause of Sikkimese integration and the Nepali unity, but he also spreaded the message of universality amongst human beings. We can best appriciate or rather worship this great legendary figure by reading and preserving his immortal creations which really speak of Maato, the soil.

( Further writings about this great poet will feature soon in the blog)